No bird flies higher than on his own wings...
You'll never fly as high as on your own wings...
Trust yourself and you'll soar...
Solitude is the biggest high...
Join in! It's
Cheers,
BB
bombay ~ boston ~ new york ~ beyond
Just about everyone who has been the parent of a young child has a priceless collection of masterpieces: treasured drawings and paintings taped to a closet door, stuck to the refrigerator with magnets or rolled up in a box somewhere in the basement. The value of these artifacts is personal and sentimental, but they can also have an aesthetic power that goes beyond parental pride. The untaught sense of color and composition that children seem naturally to possess sometimes yields extraordinary results, and the combination of instinct and accident that governs their creative activity can produce astonishing works of art.
Yet the experience can be very superficial. It’s strange to think that these big temporary installations may be the only contemporary art that some people know or enjoy. And there are dangers, including the possibility that in controlling the purse strings, a museum starts thinking of itself as a co-author who knows what the artist wants better than he or she does.
In my own simple way I have been grappling with this not only only previous visits to the Tate Modern - that has one of the funnest fun house art spaces around in its Turbine Hall - but also in previous posts (here, here and here). I feel torn between different impulses: the desire to give in to fun, to stop being such a pompous serious type who believes that art should instruct as much as anything else and the desire, well, just to have fun. Who cares if a series of giant slides is adults playing at children, or art; it's just fun.